Genre: Fantasy, YA
Publisher: Dial on May 1, 2012
Eight years have passed since the young Princess Bitterblue, and her country, were saved from the vicious King Leck. Now Bitterblue is the queen of Monsea, and her land is at peace.
But the influence of her father, a violent psychopath with mind-altering abilities, lives on. Her advisers, who have run the country on her behalf since Leck’s death, believe in a forward-thinking plan: to pardon all of those who committed terrible acts during Leck’s reign; and to forget every dark event that ever happened. Monsea’s past has become shrouded in mystery, and it’s only when Bitterblue begins sneaking out of her castle – curious, disguised and alone – to walk the streets of her own city, that she begins to realise the truth. Her kingdom has been under the thirty-five-year long spell of a madman, and now their only chance to move forward is to revisit the past.
Whatever that past holds.
Two thieves, who have sworn only to steal what has already been stolen, change her life forever. They hold a key to the truth of Leck’s reign. And one of them, who possesses an unidentified Grace, may also hold a key to her heart . . .
Trigger warning: Although they are not large components of the story, BITTERBLUE deals with suicide and references to torture and rape.
BITTERBLUE is the bridge connecting the stories and characters in GRACELING and FIRE, or maybe it’s more accurate to say that Bitterblue’s father Leck is the villain who ties the stories together.
Those of you who’ve read the series will remember that Leck was a graceling with a very disturbing gift: the ability to alter people’s minds. During his reign Leck made people commit unspeakable crimes, and his sadism truly knew no bounds. When Leck’s daughter Bitterblue becomes the monarch of Monsea after his death, it is the legacy of the trauma he inflicted that will inform not only her reign but also her life.
Unlike the rest of the series, BITTERBLUE is not plot-driven. Rather, it’s driven by young queen Bitterblue’s search for the truth – the truth of her father and his atrocities, the truth of her city, and the truth of herself. But not everyone wants to remember the trauma of the past, and there are those who will stop at nothing to derail her mission. People who are closer to her than she ever could have imagined.
There are some incredibly dark topics and scenes in BITTERBLUE, but Kristin Cashore handles them with grace and skill. Cashore acknowledges that trauma and coping mechanisms are different for everyone, and doesn’t privilege the need to remember the trauma over the need to forget. Although Bitterblue needs to know the truth of what Leck made people do and think many people want to pretend that his reign never happened. It’s too painful for them to know what they did under his influence.
Actually, the way that Bitterblue and her friends grapple with trauma reminded me a lot of Nelson Mandela’s commitment to reconciliation and forgiveness in the wake of Apartheid. She establishes a Truth Ministry where people can go to record testimonials of their experiences under Leck’s rule, and people can go there to learn more about what was really going on during his thirty years of abuse. But others can choose not to go to the ministry, and Cashore is careful to note that the choice not to remember is no less valid.
BITTERBLUE is one of the only SFF novels I’ve ever read that explicitly deals with the impact of traumatic events on someone’s mental health. For many, remembering the atrocities that Leck compelled them to commit – and forced them to enjoy with his Grace – is too much to bear. Depression, anxiety, alcoholism, and suicide are all present and immediate concerns for the Monsean people. In concert with the Ministry of Truth, Bitterblue establishes a Ministry of Mental Well-Being to give people the support they need in dealing with their poor mental health. While a lot of truly horrible things happen to characters in SFF, I’ve often found that there’s no discussion of how to deal with those things. Characters in most of those books tend to choke it down and repress it to keep moving forward; while Cashore doesn’t disparage that as an option, her willingness to explicitly discuss alternative strategies like counseling really impressed me.
Just rulership – especially just monarchy – is of paramount concern for Bitterblue, who rightly feels that her advisors’ attempts to protect her from Leck’s legacy have left her ignorant of her people. How can she be a righteous queen if she is unaware of the needs of her people? As the most privileged person in all of Monsea, can Bitterblue ever truly understand what it’s like to feel powerless? BITTERBLUE poses a lot of uncomfortable questions, and puzzling through my responses to them was both difficult and rewarding. This is YA fantasy that will make you think!
While I found BITTERBLUE engrossing and compelling, some of my friends thought it was slow moving and a little boring. As always, your mileage will vary. But whether you enjoy more cerebral books or not, BITTERBLUE is a must-read for every Kristin Cashore fan.
If only she’d write another book!